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Reading Mirtha Dermisache

From the late 1960s onwards, the Argentine conceptual artist Mirtha Dermisache (1940­-2012) produced numerous publications, containing marks that resemble writing in both its handwritten and typographic forms. Although the pages of these works imitate familiar graphic forms, most famously in the case of her newspaper "Diario 1: Año 1" (1972, with several later reprints), the signs of which they consist do not convey semantic content. Her work is therefore often contextualised as "asemic writing". The publication brings together three academic contributions by Regine Ehleiter, Megumi Andrade Kobayashi and Barbara Bausch, as well as an artistic contribution by Sebastián Barrante, all of which deal in very different ways with the ways and possibilities of "reading" the work of the artist Mir…

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